Kronomyth 6.0: A DAYLIGHTFUL COMEBACK. The re-reunion with the re-relapsing Crosby should have been a disaster, but Stills and Nash keep the boat adrift and sail into the new decade with a platinum album and a pair of their biggest hits: "Wasted On The Way" and "Southern Cross." The baffling anthology cover bated, Daylight Again is a throwback to archetype CSN: the warm and ingratiating songs from Nash, the kickin' country and rock contributions from Stills and even an airy vocal track from Crosby ("Delta"). Fiscal motivation aside, the trio are truly greater every bit a whole than the sum of their parts. Notwithstanding, this is a reunion in proper name only, as Crosby'south harmonies are handled mostly by backing vocalists Michael Finnigan and Timothy Schmit. Stills fifty-fifty goes exterior of the band to recruit Art Garfunkel for the closing "Daylight Over again." So, while the harmonies may be a little different than you remember, the quality remains nearly the same. With Stills writing the bulk of the material (getting assistance from Michael Stergis, Gerry Tolman and others), Daylight Over again is not devoid of filler. Notwithstanding generally the songs resonate: "You lot Are Alive," "Song For Susan," "Into The Darkness," "Too Much Love To Hide." They're a cutting above what you'd unremarkably encounter on a solo Stills or Nash album from this time. Closing with a reprise of the classic "Find The Cost of Freedom," and finding that information technology doesn't feel out of place here, shows that not then much has inverse with CS&Due north since the 60s. I proceed going into these reunions expecting tarnished memories and instead end upwards leaving with my faith renewed. In fact, a good portion of this album provides what would today constitute classic CSN. Although the trio stuck together for a live album, Allies, they came unstuck again soon after, only to re-re-reunite in 88. Set your wayback machines for American Dream and I'll see you lot in that location.

Original LP Version
A1. Plow Your Back On Love (Stephen Stills/Graham Nash/Michael Stergis) (4:47)
A2. Wasted On The Way (Graham Nash) (ii:51)
A3. Southern Cantankerous (Stephen Stills/Richard Curtis/Michael Curtis) (4:xl)
A4. Into The Darkness (Graham Nash) (3:21)
A5. Delta (David Crosby) (4:12)
B1. Since I Met Y'all (Stephen Stills/Michael Stergis) (iii:10)
B2. Too Much Love To Hide (Stephen Stills/Gerry Tolman) (3:57)
B3. Song For Susan (Graham Nash) (iii:07)
B4. You lot Are Live (Stephen Stills/Michael Stergis) (3:02)
B5. Might Equally Well Accept A Good Time (lyrics by Judy Henske, music by Craig Doerge) (4:25)
B6. Daylight Once more: a. Daylight Once more b.Find The Cost of Liberty (Stephen Stills) (2:28)

CD reissue bonus tracks
12. Raise A Vox
13. Feel Your Honey
14. Tomorrow Is Another Day
15. Might Too Have A Good Time (demo)

The Players
David Crosby (vocals), Graham Nash (vocals, electric guitar, organ, percussion, harmonica), Stephen Stills (vocals, electrical guitar, acoustic guitar, Rhodes, CP-30, percussion, banjo), Craig Doerge (keyboards, synthesizer, Rhodes, pianoforte), Michael Finnigan (organ, CP-30, electric piano, keyboards, vocals), Joe Lala (percussion), George "Chocolate" Perry (bass), Timothy B. Schmit (vocals, bass), Michael Stergis (electric guitar, acoustic guitar, vocals), Joe Vitale (drums) with Roberleigh Barnhart (cello on B3), Richard T. Bear (piano & synthesizer on A3), Joel Bernstein (acoustic guitar on A2/B3), Ernie Ehrhardt (cello on B3), Jay Ferguson (organ on B3), Arthur Garfunkel (song on B6), Bob Glaub (bass on A2), Wayne Goodwin (fiddle on A2, cello arrangement on B3), Russell Kunkel (drums on A2/A5), Miguel Martinez (cello on B3), Dean Parks (electrical guitar on A5), Jeff Porcaro (drums on B1), Leland Sklar (bass on A5), Gerry Tolman (electric guitar on B1). Produced by Crosby, Stills & Nash with Stanley Johnston, Steve Gursky and Craig Doerge; engineered by Steve Gursky, Stanley Johnston; boosted technology by Steve Barncard.

The Pictures
Forepart encompass painting by Gilbert Williams. Front cover photography past Mark hanauer, assisted past Eric Waltershied. Back comprehend photography by Henry Diltz. Logo pattern by Mac James. Art direction by Jimmy Wachtel (for Dawn Patrol).

The Plastic
Released on elpee and cassette on June 21, 1982 in the U.s.a. (Atlantic, SD/CS 19360), the Great britain (Atlantic, K50896), Canada (Atlantic, XSD 19360), Germany (Atlantic, ATL fifty 896) and Nihon (Atlantic, P-11088) with lyrics innersleeve; reached #8 on the U.s. charts (RIAA-certified platinum record).

  1. Re-issued on meaty disc in c.1984 in the United states of america (Atlantic, 19360-2).
  2. Re-issued on meaty disc and cassette on September xx, 1994 in the US (Atlantic, 82672-two/4).
  3. Re-released on expanded, remastered compact disc on January 24, 2006 in the US and the Great britain (Rhino, 73295) with four bonus tracks.
  4. Re-issued on expanded, remastered meaty disc in 2008 in Nihon (Warner, WPCR-75339) with 4 bonus tracks.
  5. Re-issued on expanded, remastered compact disc in 2016 in Nippon (Warner, WPCR-80360) with 4 bonus tracks.